Because you asked for this! LOL!
Donna Schoenherr - Founder of www.ballet4life.com®
and of charity Move into Wellbeing®
Happy March 2021 all! The days are getting longer
and Spring is not far off! Here we are nearly one year since the whole COVID-19
Pandemic hit our lives in London and also changed the world. This selfie below, I took
the last day of our in-person classes on 19 March, 2020. I will never forget
that day.
This past year, many of you have asked me to share
more details about my life and my career. I am not someone who likes to blow one’s own
horn, so I thought best to share a long version of my biography created for
me but with my own satirical quips interspersed, and then just be open to
conversations. I finally found and edited the long version of my CV/Biography.
If you fancy a read (and maybe a giggle or two) please sit back with a cuppa or
a glass of vino and enjoy. None of the names or facts have been changed and the
crazy journey I retell is true. Feel free to ask me about any of the chapters,
and if I can remember, I will do my best to elaborate or clarify.
With good thoughts and best wishes,
Donna
19 March, 2020
Donna Schoenherr is from Rochester, NY and is one of five children. She had a very happy childhood and managed to survive being taunted by three brothers, two of whom are older! All this teasing and challenge helped to build a resilient and tenacious character!
Donna leaping during a Kodak photo shoot.
Donna with her brothers, little sister
yet to arrive.
Formative Dance Training
Her
formative dance training was received on full scholarship at the
prestigious Botsford School in Rochester, New York founded by dance
visionary Enid Knapp Botsford, who had trained and danced with Anna Pavlova.
(Please visit https://www.facebook.com/The-Enid-BotsfordLegacy-940786495957359/?ref=hl) The
comprehensive ten-year programme she completed included training and mentoring
from an internationally renowned staff including Patricia Wilde, Jurgen Schneider,
Sir Anton Dolin, George Zoritch, Kathleen Crofton, David Gayle, Miguel Lopez,
Woytek Lowski, Lorenzo Monreal, The Andaházy’s, and Fernando
Bujones amongst many other dance luminaries.
She
trained six-days-per- week intensively in Classical Ballet Technique,
Pointe Work, Variations and Repertoire, Character Dance, Horton Technique,
Graham Technique, Drama, Dalcroze Eurythmics, Mensendieck Therapy, Ballet mime,
Performance Technique, Folk Dance, Partnering and advanced Ballroom
Dance with the esteemed Claire Leonard. There were also guests from
the Martha Graham Company (Enid has been a colleague of Martha's), American
Ballet Theatre, Boston Ballet, Joyce Trisler Company, and the Bottom of the
Bucket Dance Company directed by Garth Fagan, and others. The school was
a satellite school for American Ballet Theatre under the direction
first of Lucia Chase and then later Michael
Baryshnikov.
Donna as a young dancer modelling for Eastman Kodak Co.
Exterior shot of the purpose built Botsford Dance School in Rochester, NY. One of only two purpose-built Dance Schools in the US at the time.
Interior shot showing the large light filled unconventional and modern Dance Studio
Famous dancer and dance artist Leon Danielian, then Director of the School of American Ballet Theatre, with Enid Botsford- Orcutt and her beloved husband Brent G. Orcutt.
Press from when Sir Anton Dolin taught the students and set his "Pas de Quatre" on the dancers. Donna was cast as Carlotta Grisi.
Brent and Enid with Boston Ballet Founder and then Director E. Virginia Williams
Her school also had a partnership with The Boston Ballet under the direction of E. Virginia Williams. There were performances for the students with these companies, with guest artists from these companies, and coaching with guests from these companies all throughout Donna's training. The Botsford School also gave performances at their own studio theatre, three to four times per year. The students also performed at local schools, institutions, and organisations on a regular basis. These formative years provided her with excellence on all levels and exposure to brilliance and she is forever grateful to Enid Knapp and her husband Brent G Orcutt for their generosity and for their vision.
Donna’s extensive dance training
continued in New York City with scholarships to the Melissa Hayden Dance
Studio and the David Howard Studio where she had the privilege
to study and be mentored under the excellent tutelage of David Howard,
Marjorie Mussman, Wilhelm Burman, Bobby Blankshine, Diana
Cartier, and Melissa Hayden.
She had first danced professionally as
a child with the Festival Ballet of New York, under the direction of famed
British teacher and Dance artist Miss Kathleen Crofton and a few
years later with the Boston Ballet under the direction of E. Virginia
Williams. She has her first contract, copies of her shoe allowance, posters,
and programmes in a tattered old scrapbook that she holds dear.
She was a very ferocious mouse and Miss Crofton praised her tenacity and force!
“Nutcracker”
with the Festival Ballet of NY.
In
"Giselle" as a young dancer with partner Kennet Oberly, then of the Stuttgart Ballet,
in a Botsford Annual Performance directed by David Gayle, MBE.
Later on
She later joined the Cleveland
Ballet at the peak of its success, under the direction of Denis
Nahat and Ian "Ernie" Horvath, and performed a diverse
repertoire which included beautiful works by George Balanchine, Ian Horvath,
Dennis Nahat, Louis Falco, and Agnes De Mille. Many of her colleagues
from that era are still close friends and collaborators, and have been guest
teachers for Ballet4life, and she has been invited to work with them on their
projects.
From
a Cleveland Ballet's annual Brochure, Horvath's piece "Laura's Women"
shot by Avedon
Company
photo shoot
Playing
around in the Cleveland Ballet studio
Freelance Professional Experience
Donna went on to dance with many
independent choreographers such as Diane Coburn Brüning of www.chamberdance.org. Diane
cast her as Hester Prynne in her first professional ballet “The Scarlet
Letter.” Donna also was a frequent guest artist with the Glimmerglass
Opera under the direction of Paul Kellogg. With the Glimmerglass
Opera, she was a featured dancer in "The Bartered Bride, " "Eugene Onegin," "The Mighty
Casey," and "Pirates of Penzance" with direction and choreography by
Virginia Thatcher, Jack Eddleman, Stephanie Hall, and Rhoda Levine amongst
others.
Diane Coburn- Brüning's "The Scarlet Letter"
Glimmerglass Opera's Production of
William Schuman's Opera "The Mighty Casey"
Dancing and working around the globe
In Germany, Donna danced with
the Giessen Ballet in the State Theatre's Operettas and in Ballet
evenings created by the Director W. Anthony and guest Choreographers.
She also took company class in Mainz, Germany at the State Theatre's Ballet
Company Class during breaks.
In NYC, Donna worked extensively with, and danced in the company of Milton Myers. Milton is an Internationally acclaimed Teacher and Choreographer who among other accolades, directs the Contemporary Dance Programme at Jacob's Pillow Dance.
She also danced for years with and worked for Robin Staff who is the Executive
Director of 25-year-old www.dancenownyc.org In Robin's Colloquium Contemporary
Dance Exchange, she danced pieces choreographed by Neta
Pulvermacher, Cliff Keuter, Monica George, Regina
Larkin, and Marjorie Mussman. Robin commissioned a work to be made on Donna by Milton Myers titled "no pain,no gain."
Donna was also a lead Dancer with
the Michael Mao Dance Company www.michaelmaodance.org. The
internationally renowned choreographer Michael Mao created many
pieces on her including “Cancion” with a beautiful original score by
the Mexican composer Javier Alvarez. Here she also made lifelong
friendships with her director and colleagues. They continue to be a part of her
life and share their development and experiences in the roles they have taken
on in the International Dance World. A moving work Michael made when Donna was
in the company, “Verdi’s Requiem”, had a beautiful revival on
the Kosovo Ballet in 2013. After suffering from a debilitating and
severe injury to her right knee, she later became the Rehearsal
Director for this company and worked there until taking up a position as
Rehearsal Director of Hubbard Street Dance Chicago. At MMD, she was a
key part of the development of the English as a Second Language Dance
Programme for the NYC Public School System and she was an integral
part of two dance works that were made in collaboration with sight-impaired
dance artists. These works toured the US and were ground-breaking in their
approach to the integration of sight-impaired dancers with sighted dancers.
Mao's
"Andante Amoroso"
Mao's Ballet "Murder in Buenos Aires"
Her colleague and friend Timothy Veach from MMD made and premiered his first work "Catch me when I fall" in NYC before relocating to Columbus to found Columbus Dance Theater.
Donna, second from left, in Veach's piece "Catch me when I fall."
Keeping up with individual artistic development, different skills sets, and learning experiences and jobs
Marjorie
Mussman also remained a mentor to her during the many years that Donna was
able to return to take classes in NYC. Marjorie generously provided contacts
for employment, a new awareness in dance training, and along with
composer Jonathan Hancock, the honing of a high degree of the marriage of
music with the movement. Marjorie set her beautiful solo that was created
for Cherylyn Lavagnino on Donna and she performed it in NYC for the Colloquium Contemporary Dance Exchange which evolved
eventually into Dance Now NYC.
With Hubbard Street Dance Chicago,
she taught company class, toured, and rehearsed the outstanding dancers in a
repertoire which included stellar pieces by Twyla Tharp, Lou Conte, Daniel
Ezralow, Margo Sappington, and many other notable and international
choreographers. It was a joy for her to learn the repertoire and to maintain
the integrity, authenticity, and high level of professionalism that was
demanded.
She has also toured internationally as
a dancer, performing in Paris, Oslo, and throughout Mexico with
the Cervantino Arts Festival, and throughout the US. Her dancing can
be seen in the American television network Public
Broadcasting System’s film “Martin” directed by the
esteemed “Life Magazine” photographer Gordon Parks with choreography
by Rael Lamb, assisted by Leni Wylliams.
Her modelling work can be seen in many
dancewear catalogues, in Kodak advertisement campaigns, and in
private collections of many artists.
She also had wide-ranging training in
the Alexander Technique, Pilates® with teachers trained by the
Pilates Elders and with the fantastic injury preventative and well-crafted Zena
Rommett Floor Barre Technique®. These rich foundations for healthy movement
remain an important part of her daily approach to dance and fitness.
Donna went on to garner much success
with her teaching talents and Directors’ Assistant and Rehearsal Director roles
over the last thirty years in both America and Europe. In America she taught
for the Enid Knapp Botsford School, David Howard Dance Centre,
Minnesota Ballet and School, Michael Mao Dance
Company, the Lou Conte Dance Studio and Hubbard Street Dance Company,
Columbus Dance Theatre, and the Dansummer program in
Colorado. In Europe she has been a guest teacher for the following
among others: Geneva Ballet, Tanz Werk Nürnberg, Ballet Freiburg, Basel
Tanztheater, the Bruckner Conservatory in Linz, Berlin's “Dance
in August,” Cologne Dance Agency, Germany, Modern Dance Turkey, The Linz
Ballet, Austria Dance Workplace in Copenhagen, Tanz * Hotel, Vienna, Tiroler
Landesballett, Inssbruck, and Amanda Miller's Pretty Ugly Dance Company. http://amandakmiller.com/prettyugly.html.
Donna
taught for Amanda Miller's Pretty Ugly Dance Company first in
Innsbruck, Austria at the Tirol State Theatre and was later invited to guest
teach the company at their wonderful headquarters in Freiburg, Germany in the
breath-taking new premises. She enjoyed many a class and new piece premieres
with this eclectic and talented dance troupe and remains friends with many of
those talented artists to this day.
Landing in London with her husband
In London, she taught
at Millennium Performing Arts, a leading Performing Arts College, for two
and a half years, at the Gielgud Foundation (Re-Animators) and
for The Dance Movement. She has also worked as a Guest Director of
Rehearsals and Assistant-to-the-Director for other companies in the US and
Europe. She guest taught for Robert Hylton's Urban
Classicism and Trinity Laban Institute in London, and
for Columbus Dance Theatre. Donna also qualified to teach the Zena
Rommett Floor-Barre Technique® in NYC.
She
founded Ballet4Life (Ballet4life.com®) in January 2004 and this was
one of the first organisations to provide adult learners in London with
comprehensive programmes of high-quality ballet and dance classes and courses.
This has gone from strength to strength and is now well established and
thriving organisation. She has a full teaching group of freelance industry professionals and also has the
opportunity to offer workshops and dance intensives all geared toward the adult
learners. Her ideas help to spawn a whole generation of schools, dance
companies, and organisations to offer vocational dance tuition to adults.
Ballet4life
images from the last 17 years
Guests and Master Classes
She
had the joy to have Bennie Bartels and Melinda
Glenister teach a Tango & Feldenkrais Workshop series, and
had Dante Puleio of the Limón Dance Company teach two
Master Classes to her clients in May 2013. That Summer she devised and offered
a two-week Summer Dance Intensive with classes in Pilates®, Ballet,
Contemporary, Zumba®, Lyrical Jazz, Pointe, and Private Tuition.
Donna
arranged for Marius Andaházy to offer a Master Class in November 2015
as well. Tara -Brigette Bhavnani of the Royal Ballet gave a Master Class and
David Gayle, MBE gave a special Fundraising Talk and Q & A.
Donna with Marius, Marius leading the Masterclass class
Tara leading the Masterclass
Donna with David Gayle
Innovation and Risk Taking
Her
50+ Ballet Programme #silverswans #goldenswans was a huge hit since its launch
over twelve years ago and has been replicated by many dance institutes; even by
some that had been sceptical about creating classes for the older persons. The
50+ Dancers performed June 2016 in a ballet created on them by Donna
called “Signatures.” This group and new groups of over - fifty-year-old
dancers have continued to perform every year and the weekly classes are still going
strong and they continue to dance and learn weekly online.
Introduction of other Dance Techniques and Self-Care Skills/programmers has always been a priority to her. In the last seventeen years Donna has produced classes, workshops, masterclasses in Pilates®, Zumba Gold®, Yoga, Ballroom and Latin Dance, Choreography, Repertory, Improvisation, Feldenkreis, Tango, Laban Technique, Zena Rommett Floor-Barre® plus Dynamic Dance Days and week long Summer Dance intensives
Her
choreography has been commissioned by / shown at the Smithy Gallery
NY, Minnesota Ballet under the direction of Allen Fields, www.allenfieldsclassicalballet.com. Dansummer
Colorado, Jean Cocteau Repertory Theatre NYC, Dance Now NYC,
and Theater aus der Zeche, Germany, The Southern
Theater, Minneapolis, The Arts Educational
School and Columbus Dance Theatre, http://www.columbusdancetheatre.com/.
She also created the concept for,
produced, and choreographed all of the content and the movement in her quirky
and impressive dance film “doubletake” directed by Suzanne
Gielgud. This was shortlisted and premiered at the Marbella
International Film Festival in October 2010, http://www.gielgud.com/index_films.html.
She
is keen to re-visit this project and to finish the next sections. A part of it
was re-staged to be performed at a fundraising event for her charity Move
into Wellbeing®.
Still
from the short film "doubletake "
The
first piece commissioned by Minnesota Ballet “force unseen” used an
original score by German composer Steffan Schmidt and toured
throughout the US. Donna's second piece for Minnesota Ballet premiered in
February 2007 to original music she commissioned from London-based composer K
Derry.
The evening of the première at Minnesota Ballet with Directors and friends Allen Fields and Robert Gardener
In
July 2003 she co-created the dance work “landing/takeoff” in London
with Penelope Freeh, http://penelopefreeh.com/
which received its premiere in
September 2005 and was performed again years later in Minneapolis.
Promo and photo shoots for “landing/takeoff”
She
was commissioned by to create a new work for the company www.columbusdancetheatre.com
Columbus
Dance Theatre, “the always within never” with a score by
composer Dirk Raulf and it premièred in May 2010 as part of
their Women's Works Program.
View excerpts here:
https://youtu.be/KLX9s7Dz73E
https://youtu.be/G8eW4bNV_48
Her
last large -scale creative collaboration /co-production “Helioscope” created
with established
American choreographer and dance
artist Penelope Freeh had its premiere on 1 April 2016 at The
Illusion Theatre at www.cowlescenter.org
in Minneapolis. This innovative new piece has commissioned music scores by
British composer Hugh Simpson and others, an opera singer, eight
extra dancers, original film work, and is inspired by the work of an early
British photographer. It was developed at www.camargofoundation.org in
November 2015 and was part of The Right Here Showcase http://righthereshowcase.weebly.com/2016-artists--works.html
“Helioscope”
performances and post- performance with Michael and Penny.
Media
Donna
is no stranger to media and she has, in fact, had to turn down some offers to
be a presenter or a dance spokesperson. She was delighted to participate in an
episode about fitness on the well-known London television talk
show "Richard and Judy." Her classes have been filmed for two Japanese
television shows, Ballet4Life was featured in a British media company’s fitness
series, and she and Ballet4Life were consulted for the pitch for Channel 4's
programme "Big Ballet." She has been a repeat guest on two London Arts radio
shows, "Plasticine Candles and Soup" with Joasia
Tapson and "Radio Gorgeous" with Donna Freed, and was part of a
feature in
"London
Dance" about vocational ballet. Bridget Osborne founder of "The
Chiswick Calendar" www.thechiswickcalendar.co.uk and
editor of "Out & About Magazine" has interviewed Donna for a
numerous features. In August 2020 she was a guest on "The Chiswick
Buzz" and her interview was shared with thousands of local viewers. Most
recently "The Chiswick Magazine" published a feature about her and Move
into Wellbeing®.
Other lovely features Donna was delighted to be part of:
Stance on Dance
http://stanceondance.com/2018/05/21/dancing-throughout-life-with-ballet-4-life/
The Career Changers
https://thecareerchangers.com/from-dancer-to-dance-teacher/
The Motherhood
https://themother-hood.com/do-ballet-4-life-adult-ballet-classes/
MOTHERSISTER- sadly the feature is no longer available
Hounslow Herald
https://hounslowherald.com/local-dance-organisation-launches-innovative-online-dance-programme-p11296-313.htm
Donna being interviewed by Chiswick Buzz
Awards and Accolades
One
Dance UK (aka Dance UK,) People Dancing (aka Foundation for
Community Dance), Council for International Dance, Dance for
PD®, and Dance for Parkinson's UK Network are some of the dance
organisations with which she holds or has held memberships. Ballet4Life was a
Finalist in the One Dance UK People’s Choice Awards 2019 and was Short Listed for
this again in 2020. Ballet4Life was recently a Finalist in the West London
Business Awards 2021 in the category Best Health and Wellness Business of the
Year.
One Dance UK Awards November 2019
Aside from Dance- wait, there is more to life than Dance?
She has been a happy Chiswick, London resident with her husband for nearly 25 years and their son just started Uni ( just in time to move back home during C-19!). Whilst currently directing Ballet4Life and Move into Wellbeing®, she is also a lifelong avid painter and photographer. Her photographs, paintings, collages, and creations are in private collections around the globe. In December 2018 her work was exhibited in London in an all-female exhibition titled "Le jeu de Dames." curated by artist Agnes Poitevin-Navarre. She looks forward to sharing many more of her creations with everyone and hopes to organise a fundraising exhibit for MiW once C-19 has calmed down!
One of her photographs
She
was engaged with a variety of other creative and exciting projects and creative
events that included planning and creating the programme for the annual
fundraising Dance Showcase on which showcased the teachers and clients of
both Ballet4life and Move into Wellbeing®. This was the fourth
year in which these diverse performances were offered to the public which
raises awareness of the power of dance for the local community and beyond. The showcases
raised funds for the charity Move into Wellbeing®.
A deep passion and calling
Donna
founded Move into Wellbeing® in 2015 in Chiswick, West London. She
and
Lead Teacher Beatrice Ghezzi planned, tested and created the Move into Wellbeing Dance and Movement Programme for people with Parkinson's and other mobility challenges in 2014. This was launched in Chiswick, West London in January 2015. It was inspired by Donna’s father’s three-decades of living with Parkinson's and is a living tribute to him and a supportive programme that offers relief for people living with Parkinson’s and with other mobility issues. This concept was also partly inspired by the system at Mark Morris Dance Company, that is Dance for PD®, led by David Leventhal.
Move into Wellbeing® won the Atul Pathak Community Award and received it at the ceremony in the House of Commons! MiW's in-person, online, and archived classes are taught by lead
teacher Beatrice Ghezzi and Chris Christodoulou, with assistance from Ioanna Bili. This brings joy to hundreds of
people!
Here is a short promo video created by Ioanna:
and the website:
https://www.moveintowellbeing.org.uk/
An early days class in Chiswick
Move
into Wellbeing members performing with Beatrice and Chris
Receiving the Atul Pathak Community Award with Trustee George Foster and lead MiW teacher Beatrice Ghezzi
More MiW History
The London
Borough of Hounslow sponsored additional dance classes from March -
June 2016 and Ballet4life was able to offer an additional Move
into Wellbeing® class. Ballet4life also sponsored another
wonderful teacher, Clarissa Rocha, to study with David at the
programme in July 2015 Leicester, England with People Dancing. Move
into Wellbeing became a charitable organisation on 23 April 2016 and had a
stall at the Bedford Park Festival in Chiswick, West London in
2016 -2019. One large fundraising event was held on 23 September at
the Andrew Lloyd Webber Theatre at the Arts Educational
School, Chiswick, West London and the next were held in 2017, 2018, and 2019 in
Chiswick and in Brentford at Watermans Theatre. Move into Wellbeing attained Registered Charity
status- Number 1172264.
Other B4l History and Collaborations
Ballet4life has also collaborated with the charity Arts4Dementia www.arts4dementia.org.uk. Donna was commissioned to create and deliver a dance course for people with early stage Dementia. In the Autumn of 2015, she and her colleague Clarissa Rocha created and delivered a highly successful and engaging eight-week dance programme for that culminated in an informal showing of the group's progress and creative output. This effective adn unique dance programme will hopefully start again at Ballet4Life in the near future.
Donna Schoenherr and Ballet4Life classes are featured on the sixth day of the Get Active video series from TedMedia. https://artv.vhx.tv/get-active/season:1/videos/getactive-day-6-ballet-1. Patricia Ferreira-Lopez meets up with Donna Schoenherr of Ballet4Life.com in London, England, UK. It’s Patricia’s sixth day and her sixth sport in her “Get Active” challenge. Please note that the Ballet4life logo changed shortly after this filming and the new logo was created by esteemed dance artist and personal friend, Charlotte Fawley. www.charlottefawleyart.com. She then gave the logo a refresh in 2016 and local graphic artist Jane Davies created the present version of the logo.
Artist
Charlotte Fawley
Apollo
In
January 2018 Donna started choreographing a new ballet to the epic Igor
Stravinsky’s
“Apollon musagète” The Nonesuch Orchestra was played this live with the Ballet
as part of the Bedford Park Festival and an independent performance
that fund raised for local charities. Donna developed the movement on three of Ballet4Life's main teachers Beatrice, Chris, and Alina and one vocational dancer and cover teacher, Sonia. They also worked in four local primary schools giving workshops and some of the school children performed together
with Ballet4life and The Nonesuch Orchestra in June
2018. Here is a short clip about it
https://www.youtube.com/watch?v=JCToFBI03MA&t=6s
Rehearsals and Performances at St. Michael and All Angels Church and St. Peter's Church, W4 and the beautiful poster created by Jane Davies from an original drawing by Charlotte Fawley
Present day
In
January 2021 Donna celebrated the seventeenth anniversary
of Ballet4life and reflected on the inspiring, challenging, and
rewarding time this has been and is forward thinking about more dance, creative, interacting, inclusive, and
wellness plans for the future. She brought her diverse dance programmes online
at the start of the COVID-19 lockdown and these successful programmes are
carrying on for the foreseeable future.
She has felt so happy to have met, been mentored by, mentored, and worked with and learned from so many wonderful people, on all levels, over the decades. Her gratitude knows no bounds, and she simply adores, in her 50's, still making her way with grit and determination in daily classes!
There
is always more to come and she seems to be a few beats ahead of the pack, so best
to watch this space!
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